The biggest
detriment to actors booking the job is their concern for being liked instead of
focusing on the scene.
It is
astounding all the things actors are focused on at an audition that have
nothing to do with the scene they are performing.
Actors are
so busy trying to show what they believe the casting director wants to see that
they forget to just really connect and play the situation of the scene honestly
and specifically.
When an
actor is given an audition scene, often their thoughts will be:
ÒHow can I
make this look the way IÕve seen other scenes like this look?Ó
ÒHow can I
pretend to be this character that I am not?Ó
ÒHow can I
get them to give me this role?Ó
Many actors get sidetracked by wanting the scene to be more than it is. They canÕt see whatÕs honestly happening in the scene, because their vision is blurred by their need to impress.
They feel
it is all up to them to come up with brilliant choices in order to stick out of
the bunch. That puts a lot of
pressure on an actor, and is no fun.
But the truth is, the ÒbrilliantÓ choice to make, that most actors donÕt
think to make, is to play the scene honestly and specifically.
As soon as
you think that way, all sorts of fun things to play will come to mind. Real human behavior is whatÕs
entertaining.
In the past
I used to try to come up with Òcreative choicesÓ to make my audition stick
out. Sometimes it worked, but more
often than not, it made me feel panicky and nervous, worried that my choices
were bad or not as good as other actorsÕ choices.
Then I
realized, the creative choice that most actors donÕt think to make, is to just
play the specific reality of the situation given in the scene. It seems so obvious, but it is a breath
of fresh air to casting directors when an actor approaches an audition this
way.
Say you get
a scene wherein your character is sharing a memory from his early
childhood. ThatÕs a fun thing to
recreate. ItÕs exciting to watch
someone in the act of recalling an event from their past.
Try it out
right nowÉ
Notice how
your focus goes to images in your head.
Those images often surprise you and elicit an emotional response. Trust that in the performance of the
scene itÕs enough for you to enjoy that simple experience. DonÕt make the mistake of layering over
some ÒcleverÓ business or attitude that you believe will make it more ÒentertainingÓ. Real behavior is always entertaining.
When
preparing for a scene, let the scene create the choices for you.
In the
scene you are given wonderful things to play, so make sure to take note and use
them. Many actors wonÕt think to.
For
instance, consider the locale. Let
the setting of the scene affect your behavior. People behave differently based on where they are. The way you talk in bed in the morning
is different than the way you talk at a bar. How you behave in an interrogation room is different than
how you behave in a restaurant.
Let your surroundings affect you.
Suddenly,
without thinking about it, you will allow choices to happen, instead of
creating choices and serving them to us cold on a platter.
Also, make
sure to carefully read the stage directions. Many actors will not pay the stage directions close
attention, and will just sit there like a lump, completely missing
opportunities provided in them.
Not only do
they give physical instructions that might be fun to play (ÒShe begins to exit,
but stops.Ó), but they also give clues to the characterÕs inner life (ÒShe
stifles a sob.Ó).
The casting
person knows the scene very well.
When you miss a good opportunity that the stage directions are offering,
they will notice.
In order to
play the reality of a scene, simply ask yourself, ÒWhat is REALLY happening in
this scene.Ó IÕm not talking about
some deep, hidden meaning behind the words. Instead, you are looking for the simple truth of what is
actually going on. Keep it as
simple as the way you perceive your own life.