One of my
favorite self-help gurus is Marianne Williamson. I used to listen to her audiotapes in my car, and I always
felt so terrific afterwards. I
learned a great deal from her teachings.
One story
she told was from her college days.
She had begun singing in a club, and really enjoyed it. Although, maybe not the best singer,
she had such a love for it, that she truly shined onstage. People started to come to the club,
just to hear her sing.
One day she was filling out a form, which had asked what her occupation was. She was unsure at the time how to answer that, but a friend of hers said, ÒPut down ÔsingerÕ. You are a singer.Ó And she did.
Later she
started thinking, ÒIÕm not really a singer. Those other, more talented, people who came before me, they
were real
singers. I better figure out how
they did it. IÕve got to learn how
to be a real singer.Ó
So, she
started trying to perform the way she imagined a ÒrealÓ singer would perform. People sensed this, and stopped coming
to hear her sing. All the fun was
gone from her performance. She had
stopped giving herself permission to love and trust what she was doing, and
instead came to her craft from fear and insecurity.
Now imagine
what wouldÕve happened if she had just said to herself, ÒYou know what, IÕm not
a singer. I release my need to be
a singer. IÕll let all those other
people who sing be the real singers.
IÕm just here to enjoy myselfÓ.
If she had thought that way, you can bet she wouldÕve had a lot more
fun, the audience wouldÕve felt it, and the crowds wouldÕve returned.
Right
before I perform, I like to tell myself, ÒIÕm not an actor. Those other people in the
show or in the audition waiting room, theyÕre the actors. Not me. IÕm just here to play and have fun.Ó
Acting
should be as playful and magical as it was when you were a kid. As soon as you take on the
responsibility to be an ÒACTORÓ, the question comes up: ÒAm I talented enough,
and have I done what it takes to be an actor?Ó
There are
millions of books on acting, and millions of acting classes. You wouldnÕt have the time to read and
take them all, even if you tried.
Yes, itÕs
important to work on your craft.
But donÕt talk yourself into believing you donÕt deserve to be an
actor. Anyone who wants to act
deserves to be an actor.
Some actors
will say, ÒYes, but I havenÕt trained enough. I havenÕt got enough experience to believe in myself yet.Ó
Ever heard
of the book title ÒAn Actor PreparesÓ?
Just hearing that title can make you feel uneasy. How can you know whether youÕve
prepared ÒenoughÓ? The
answer is that you have. You have,
simply because that is the reality of the situation.
Everyone deserves to act. So stop worrying whether youÕre good enough, or whether youÕve studied enough. YouÕre trying your best, and youÕve studied as much as youÕve studied, and youÕve had as much experience as youÕve had. You canÕt change that, so accept it.
Let me ask
you this:
What if
there was a young man who worked in a gas station, and one day a film producer
said, ÒYouÕd be perfect for this role in my movie.Ó Then the young man stars in the movie, and is so naturally
talented, open and honest, that he wins an Oscar for his performance.
Would you
say to that young man, ÒYou donÕt deserve to act. You havenÕt studied for enough years, read enough books,
paid for enough workshopsÓ?
If not,
then why do you say that to yourself?
DonÕt you deserve the respect youÕd give him?
All actors
have a vulture that at one time or another tells them, ÒYouÕre a terrible
actorÓ.
The true
test is how you react to that.
Even Laurence Olivier stopped performing for a period because he felt he was a lousy actor. Laurence Olivier!
I recently
performed in an improv based comedy benefit. On my way to the stage I felt a heavy weight. I felt scared and insecure. I felt I had to fill some expectation
from the audience to be funny. I
was performing alongside some extremely talented and funny people, and my
vulture was telling me that I wasnÕt as good as them. That I was an impostor, and the audience would quickly find
that out. I knew if I didnÕt
change my way of thinking, I would freeze up onstage and have a terrible
experience.
So I put
this thought in my head:
ÒI release
my need to be a funny performer.
They are the comedians; IÕm just a guest here, having fun. I donÕt need to be a funny actor. IÕm just playing, and having fun.Ó
And I did
have fun. I had a blast, and so
did the audience.
You see,
you canÕt feel like an impostor, if youÕre not interested in looking like
anything other than just who you are.
YouÕll
never have the time to read all the thousands of books on acting that exist,
nor take all the classes taught by all the brilliant teachers.
Stop needing to be a Òreal actorÓ. It is a goal that your ego has created, that you can never truly reach.
Just admit
to yourself, ÒWhatever it is that I think IÕm supposed to know, I donÕt, and it
doesnÕt matter.Ó
Because
the truth is that there is no secret to acting. Once you understand this, youÕll never feel the need to be
something other than yourself again.
I received
the following email from one of my workshop attendees:
ÒWanted to tell you a little success story. Last time I was in class you talked
about going to an audition where you felt great in the waiting room until
another actor you knew came in - somebody that you thought was a better fit for
the part - but then you said your affirmations and went into the room and had a
great time.
I
had a similar experience - I went in to audition to play Tommy Hilfiger in a
sketch on a new comedy show. Anyway, I thought to myself that I look like Tommy
Hilfiger. I got to the audition and there were three other guys who looked dead
on like him. I started to go to that negative place in my head but remembered
your story. I said "fuck
it" and remembered that I wasn't there to be an actor, or get the job--I
was there to have fun. Went in and gave a great audition. That would be a great
ending to the story--but the icing on the cake is I got the gig!Ó